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c. 1445 – May 17, 1510. Italian painter.

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Fyodor Rokotov
Portrait of Catherine II of Russia.

ID: 87645

Fyodor Rokotov Portrait of Catherine II of Russia.
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Fyodor Rokotov Portrait of Catherine II of Russia.


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Fyodor Rokotov

(1736 - 1809) was a distinguished Russian painter who specialized in portraits. Fyodor Rokotov was born into a family of peasant serfs, belonging to the Repnins. Much in his biography is obscure. He studied art in Saint Petersburg Academy of Arts. After buying back his freedom in the end of 1750s he became established as a fashionable painter. In 1765, Rokotov was elected an Academician, but he did not work as a professor in the Academy long, because it interfered with his painting. He returned to Moscow in 1765, where he lived for the rest of his life. He had a lot of commissions there, becoming one of the best portrait painters of his time. Among his best-known portraits are Portrait of Alexandra Struyskaya (1772), sometimes called the Russian Mona Lisa and admittedly the most celebrated piece of the 18th-century Russian painting; Portrait of Countess Elisabeth Santi (1785), and Lady in a Pink Dress.  Related Paintings of Fyodor Rokotov :. | Portrait of Catherine II of Russia. | Maria Vorontsova by Rokotov | First count Bobrinsky in infancy | Portrait of A.P.Struiskaya | Alexandra Struiskaya |
Related Artists:
BALDASSARE ESTENSE
Italian painter, Ferrarese school (b. 1443, Reggio, d. 1504, Ferrara)
Johannes Vermeer
One of the most talented painters in the Dutch Golden Age , 1632-1675 was a Dutch Baroque painter who specialized in exquisite, domestic interior scenes of ordinary life. Vermeer was a moderately successful provincial genre painter in his lifetime. He seems never to have been particularly wealthy, perhaps because he produced relatively few paintings, leaving his wife and children in debt at his death. Vermeer worked slowly and with great care, using bright colours, sometimes expensive pigments, with a preference for cornflower blue. He is particularly renowned for his masterly treatment and use of light in his work. What strikes in most of his paintings is a certain love, which easily could be called a love sickness, for the people and the objects in his paintings. He created a world more perfect than any he had witnessed. After having been virtually forgotten for nearly one hundred years,
Johann Nepomuk Rauch
(1804 Vienna - 1847 Rome) was a very significant Austrian Biedermeier painter of the 1st half of the 19th century.






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